{"id":7539,"date":"2019-11-03T22:21:44","date_gmt":"2019-11-03T22:21:44","guid":{"rendered":"https:\/\/dev.pierreloti.eu\/?p=7539"},"modified":"2019-11-03T22:21:44","modified_gmt":"2019-11-03T22:21:44","slug":"marie-nicole-lemieux-madame-butterfly-est-un-opera-qui-me-bouleverse-toujours-autant","status":"publish","type":"post","link":"https:\/\/dev.pierreloti.eu\/?p=7539","title":{"rendered":"Marie-Nicole Lemieux : \u00ab\u00a0Madame Butterfly est un op\u00e9ra qui me bouleverse toujours autant\u00a0\u00bb"},"content":{"rendered":"<p><a href=\"https:\/\/dev.pierreloti.eu\/wp-content\/uploads\/2019\/09\/Logo-France-Culture1.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-7420 size-medium\" src=\"https:\/\/dev.pierreloti.eu\/wp-content\/uploads\/2019\/09\/Logo-France-Culture1-300x150.png\" alt=\"Logo France Culture1\" width=\"300\" height=\"150\" srcset=\"https:\/\/dev.pierreloti.eu\/wp-content\/uploads\/2019\/09\/Logo-France-Culture1-300x150.png 300w, https:\/\/dev.pierreloti.eu\/wp-content\/uploads\/2019\/09\/Logo-France-Culture1.png 316w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">La contralto canadienne Marie-Nicole Lemieux interpr\u00e8te la servante Suzuki dans \u00ab\u00a0Madame Butterfly\u00a0\u00bb, l&rsquo;op\u00e9ra de Puccini, mis en sc\u00e8ne \u00e0 l&rsquo;Op\u00e9ra Bastille \u00e0 Paris, et elle sort un disque consacr\u00e9 aux musiques en lien avec l&rsquo;\u00e9l\u00e9ment marin, \u00ab\u00a0Mer(s)\u00a0\u00bb.<\/p>\n<div id=\"attachment_7542\" style=\"width: 848px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/dev.pierreloti.eu\/wp-content\/uploads\/2019\/11\/Marie-Nicole-Lemieux.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-7542\" class=\"wp-image-7542 size-full\" src=\"https:\/\/dev.pierreloti.eu\/wp-content\/uploads\/2019\/11\/Marie-Nicole-Lemieux.jpg\" alt=\"Marie-Nicole Lemieux\" width=\"838\" height=\"557\" srcset=\"https:\/\/dev.pierreloti.eu\/wp-content\/uploads\/2019\/11\/Marie-Nicole-Lemieux.jpg 838w, https:\/\/dev.pierreloti.eu\/wp-content\/uploads\/2019\/11\/Marie-Nicole-Lemieux-300x199.jpg 300w\" sizes=\"auto, (max-width: 838px) 100vw, 838px\" \/><\/a><p id=\"caption-attachment-7542\" class=\"wp-caption-text\">Marie-Nicole Lemieux\u2022 Cr\u00e9dits : Lionel Bonaventure &#8211; AFP<\/p><\/div>\n<p>&nbsp;<\/p>\n<p style=\"color: #333333; text-align: justify;\">Comme une parenth\u00e8se enchant\u00e9e dans ce samedi de la Toussaint, la cantatrice\u00a0<a style=\"color: #2b70ec;\" href=\"https:\/\/www.franceculture.fr\/personne-marie-nicole-lemieux\" target=\"_blank\"><strong style=\"font-weight: 500;\">Marie-Nicole Lemieux<\/strong><\/a>, vient ensoleiller<span style=\"color: #0000ff;\"><a href=\"https:\/\/www.operadeparis.fr\/saison-19-20\/opera\/madame-butterfly\" target=\"_blank\"><span style=\"color: #0000ff;\"> \u00ab\u00a0<strong style=\"font-weight: 500;\">Madame Butterfly<\/strong>\u00ab\u00a0<\/span><\/a><\/span> , incontournable du r\u00e9pertoire lyrique sign\u00e9 Giacomo Puccini. Elle y joue la servante Suzuki dans la mise en sc\u00e8ne de Robert Wilson et sous la direction musicale Giacomo Sagripanti \u00e0 l&rsquo;Op\u00e9ra Bastille \u00e0 Paris. L&rsquo;occasion de revenir avec elle sur cet op\u00e9ra \u00e0 l&rsquo;intensit\u00e9 dramatique si forte. Madame Butterfly s\u2019appelait \u00e0 l&rsquo;origine\u00a0<em>Mme Chrysanth\u00e8me<\/em>, et c\u2019\u00e9tait un<span style=\"color: #ff0000;\"> roman de Pierre Loti inspir\u00e9 d\u2019un voyage au<\/span> <span style=\"color: #ff0000;\">Japon<\/span>, car le livret raconte l&rsquo;histoire d&rsquo;une jeune geisha s\u00e9duite par un officier am\u00e9ricain qui finit par l&rsquo;abandonner, la laissant dans l&rsquo;espoir fou de son retour.<\/p>\n<p style=\"color: #333333; text-align: justify;\"><strong style=\"font-weight: 500;\">Marie-Nicole Lemieux<\/strong>\u00a0vient \u00e9galement de sortir un\u00a0<a style=\"color: #2b70ec;\" href=\"https:\/\/www.francemusique.fr\/evenements\/sortie-cd-mers-marie-nicole-lemieux\" target=\"_blank\" rel=\"noopener\">nouvel album<\/a>\u00a0sur lequel elle chante des m\u00e9lodies de la fin du XIXe si\u00e8cle, toutes inspir\u00e9es par l&rsquo;\u00e9l\u00e9ment aquatique\u00a0: les\u00a0<em>Sea Pictures<\/em>\u00a0d&rsquo;Edward Elgar, le\u00a0<em>Po\u00e8me de l&rsquo;amour et de la mer<\/em>\u00a0d&rsquo;Ernest Chausson, et\u00a0<em>La mer<\/em>\u00a0de Victorin de Jonci\u00e8res&#8230;<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Poursuivez la lecture de cet article et \u00e9coutez Marie-Nicole Lemieux en cliquant sur le lien suivant :<\/span><\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #000080;\"><a href=\"https:\/\/www.franceculture.fr\/emissions\/linvite-culture\/marie-nicole-lemieux\" target=\"_blank\"><span style=\"color: #000080;\">https:\/\/www.franceculture.fr\/emissions\/linvite-culture\/marie-nicole-lemieux<\/span><\/a><\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; &nbsp; La contralto canadienne Marie-Nicole Lemieux interpr\u00e8te la servante Suzuki dans \u00ab\u00a0Madame Butterfly\u00a0\u00bb, l&rsquo;op\u00e9ra de Puccini, mis en sc\u00e8ne \u00e0 l&rsquo;Op\u00e9ra Bastille \u00e0 Paris, et elle sort un disque consacr\u00e9 aux musiques en lien avec l&rsquo;\u00e9l\u00e9ment marin, \u00ab\u00a0Mer(s)\u00a0\u00bb. &nbsp; Comme une parenth\u00e8se enchant\u00e9e dans ce samedi de la Toussaint, la cantatrice\u00a0Marie-Nicole Lemieux, vient [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20,27],"tags":[85],"class_list":["post-7539","post","type-post","status-publish","format-standard","hentry","category-actus","category-recentes","tag-actualites-pierre-loti"],"_links":{"self":[{"href":"https:\/\/dev.pierreloti.eu\/index.php?rest_route=\/wp\/v2\/posts\/7539","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.pierreloti.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.pierreloti.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.pierreloti.eu\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.pierreloti.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7539"}],"version-history":[{"count":6,"href":"https:\/\/dev.pierreloti.eu\/index.php?rest_route=\/wp\/v2\/posts\/7539\/revisions"}],"predecessor-version":[{"id":7546,"href":"https:\/\/dev.pierreloti.eu\/index.php?rest_route=\/wp\/v2\/posts\/7539\/revisions\/7546"}],"wp:attachment":[{"href":"https:\/\/dev.pierreloti.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7539"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.pierreloti.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7539"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.pierreloti.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7539"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}