{"id":12177,"date":"2022-11-06T15:57:22","date_gmt":"2022-11-06T15:57:22","guid":{"rendered":"https:\/\/dev.pierreloti.eu\/?p=12177"},"modified":"2022-11-06T15:57:22","modified_gmt":"2022-11-06T15:57:22","slug":"hassen-bkhairia-francis-lacoste-laure-leveque-dir-la-femme-orientale-mythes-imaginaires-representations","status":"publish","type":"post","link":"https:\/\/dev.pierreloti.eu\/?p=12177","title":{"rendered":"Hassen Bkhairia, Francis Lacoste, Laure L\u00e9v\u00eaque (dir.), La Femme orientale. Mythes, imaginaires, repr\u00e9sentations"},"content":{"rendered":"<p><a href=\"https:\/\/dev.pierreloti.eu\/wp-content\/uploads\/2019\/03\/Logo-Fabula.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-6655 size-full\" src=\"https:\/\/dev.pierreloti.eu\/wp-content\/uploads\/2019\/03\/Logo-Fabula.png\" alt=\"Logo Fabula\" width=\"909\" height=\"155\" srcset=\"https:\/\/dev.pierreloti.eu\/wp-content\/uploads\/2019\/03\/Logo-Fabula.png 909w, https:\/\/dev.pierreloti.eu\/wp-content\/uploads\/2019\/03\/Logo-Fabula-300x51.png 300w\" sizes=\"auto, (max-width: 909px) 100vw, 909px\" \/><\/a><\/p>\n<div id=\"content-wrapper\" class=\"pt-3 pb-3\">\n<div class=\"row\">\n<div class=\"col-lg-9\">\n<article class=\"nouvelle\">\n<header class=\"nouvelle-header\">\n<div class=\"thumbnail\"><img loading=\"lazy\" decoding=\"async\" class=\"img-fluid alignleft\" src=\"https:\/\/www.fabula.org\/actualites\/documents\/110731_5b3170ff406c807c32af08110bd6925c.jpg\" alt=\"Hassen Bkhairia, Francis Lacoste, Laure L\u00e9v\u00eaque (dir.),\u00a0La Femme orientale. Mythes, imaginaires, repr\u00e9sentations\" width=\"237\" height=\"340\" \/><\/div>\n<div class=\"title d-flex flex-column h-100\">\n<div class=\"mb-3\">\n<ul class=\"metadata\" style=\"color: #454056;\">\n<li>Arcidosso, Effigi, coll. \u00ab\u00a0La Recherche en Actes\u00a0\u00bb, 1922<\/li>\n<li>EAN : 9788855244695<\/li>\n<li>272 pages<\/li>\n<li>Prix : 20 EUR<\/li>\n<li>Date de publication :\u00a0<time datetime=\"2022-11-03\">03 Novembre 2022<\/time><\/li>\n<\/ul>\n<\/div>\n<ul class=\"metadata mb-3\" style=\"color: #454056;\">\n<li><a style=\"color: var(--bs-link-color);\" href=\"https:\/\/www.facebook.com\/106252802826399\/posts\/5548176358633989\/\" target=\"_blank\" rel=\"noopener noreferrer\"><i class=\"fa-brands fa-square-facebook\"><\/i>\u00a0Voir sur Facebook<\/a><\/li>\n<li><a style=\"color: var(--bs-link-color);\" href=\"https:\/\/www.instagram.com\/p\/CkfVkGWqG_O\/\" target=\"_blank\" rel=\"noopener noreferrer\"><i class=\"fa-brands fa-square-instagram\"><\/i>\u00a0Voir sur Instagram<\/a><\/li>\n<li><a style=\"color: var(--bs-link-color);\" href=\"https:\/\/twitter.com\/fabula\/status\/1588063553352876032\" target=\"_blank\" rel=\"noopener noreferrer\"><i class=\"fa-brands fa-square-twitter\"><\/i>\u00a0Voir sur Twitter<\/a><\/li>\n<\/ul>\n<div class=\"mt-auto reseaux d-flex align-items-center\"><\/div>\n<\/div>\n<div class=\"infos\" style=\"color: #666276;\">Publi\u00e9 le\u00a0<time datetime=\"2022-11-03 06:56:13\">03 Novembre 2022<\/time>\u00a0par\u00a0<a style=\"color: var(--bs-link-color);\" href=\"mailto:escola@fabula.org\">Marc Escola<\/a>\u00a0(Source :\u00a0<a style=\"color: var(--bs-link-color);\" href=\"mailto:liontheme@gmail.com\">Lionel Anth\u00e8me<\/a>)<\/div>\n<\/header>\n<div class=\"row texte\">\n<div class=\"col-12\">\n<p>&nbsp;<\/p>\n<p><strong style=\"font-weight: bolder;\">Table des mati\u00e8res<\/strong><\/p>\n<p><strong style=\"font-weight: bolder;\">Avant-propos<\/strong><br \/>\nHassen Bkhairia, Jalel El Gharbi et Francis Lacoste<\/p>\n<p><strong style=\"font-weight: bolder;\">REPR\u00c9SENTATIONS ET ID\u00c9OLOGIE<\/strong><\/p>\n<p>Sch\u00e9matisation, th\u00e9\u00e2tralisation, sc\u00e8ne\u00a0: penser plus loin \u00e0 partir du chapitre \u00ab\u00a0Orientaliser l\u2019Oriental\u00a0\u00bb de L\u2019Orientalisme d\u2019Edward Sa\u00efd<br \/>\nJean-Pierre Dubost<\/p>\n<p>Les repr\u00e9sentations de la femme dans l\u2019univers oriental des Contes de Voltaire<br \/>\nMoufida Aliou<br \/>\nLes vicissitudes de la \u00ab\u00a0belle Juive\u00a0\u00bb, label occidental pour beaut\u00e9 orientale. Quelques jalons<br \/>\nLaure L\u00e9v\u00eaque<\/p>\n<p>De Goncourt \u00e0 Barr\u00e8s\u00a0: enjeux esth\u00e9tiques et id\u00e9ologiques autour de la femme orientale<br \/>\nB\u00e9atrice Laville<\/p>\n<p>Des figures en marge\u00a0? Les Juives et les femmes noires dans l\u2019orientalisme et l\u2019art colonial marocains<br \/>\nMarl\u00e8ne Lespes<\/p>\n<p><strong style=\"font-weight: bolder;\">USAGE ET CONTESTATION DU ST\u00c9R\u00c9OTYPE<\/strong><\/p>\n<p>Les voiles des D\u00e9senchant\u00e9es<br \/>\nJalel El Gharbi<\/p>\n<p><span style=\"color: #ff0000;\">La femme marocaine au regard de Pierre Loti<\/span>\u00a0: exotisation et \u00e9rotisation d\u2019un corps voil\u00e9<br \/>\nAbdelhak Zerrad<\/p>\n<p>La femme orientale dans Tartarin de Tarascon\u00a0: d\u2019une image st\u00e9r\u00e9otyp\u00e9e, vers une confusion identitaire<br \/>\nKaouther Athimni<\/p>\n<p>La femme maghr\u00e9bine vue par Maupassant<br \/>\nLassad Affi<\/p>\n<p>\u00ab\u00a0La femme orientale dans D\u00e9sert et \u00c9toile errante de Le Cl\u00e9zio<br \/>\nHassen Bkhairia<\/p>\n<p><strong style=\"font-weight: bolder;\">CONDITION F\u00c9MININE<\/strong><\/p>\n<p>L\u2019image de la femme perse chez Jane Dieulafoy\u00a0: quand l\u2019Occidentale rencontre l\u2019Orientale<br \/>\nFatemeh Taghavifard<\/p>\n<p>La femme orientale dans les \u00e9crits de femmes francophones alg\u00e9riennes<br \/>\nChafika Femmam et Khadija Ghemri<\/p>\n<p>La repr\u00e9sentation de la femme orientale \u00e0 travers l\u2019h\u00e9ro\u00efne du dessin anim\u00e9 Princesse Sh\u00e9h\u00e9razade<br \/>\nSyrine Farhat<\/p>\n<p><strong style=\"font-weight: bolder;\">FEMME ORIENTALE ET CR\u00c9ATION<\/strong><\/p>\n<p>\u00ab\u00a0Je ne vis jamais une si ravissante image de la douleur\u00a0\u00bb (Lamartine)\u00a0: Portrait d\u2019une jeune veuve turque en all\u00e9gorie de l\u2019\u00e9l\u00e9gie<br \/>\nPierre Dupuy<\/p>\n<p>La femme orientale dans la Correspondance de Flaubert<br \/>\nFrancis Lacoste<\/p>\n<p>La femme orientale\u00a0: mythe ou r\u00e9alit\u00e9 dans Gradiva d\u2019Alain Robbe-Grillet<br \/>\nAhlem Ayadi<\/p>\n<p>L\u2019Orientale au hublot de Lesbos (t\u00e9moignage d\u2019une po\u00e8te sur un recueil n\u00e9o-saphique en cours)<br \/>\nDaniel Aranjo<\/p>\n<\/div>\n<\/div>\n<footer>\n<div class=\"col-12\">\n<ul>\n<li><b style=\"font-weight: bolder;\">Url de r\u00e9f\u00e9rence :<\/b><br \/>\n<a style=\"color: var(--bs-link-color);\" href=\"http:\/\/www.cpadver-effigi.com\/blog\/la-femme-orientale-mythes-imaginaires-representations\/\" target=\"_blank\" rel=\"noreferrer, noopener\">http:\/\/www.cpadver-effigi.com\/blog\/la-femme-orientale-mythes-imaginaires-representations\/<\/a><\/li>\n<\/ul>\n<\/div>\n<\/footer>\n<\/article>\n<\/div>\n<aside class=\"col-lg-3\">\n<div class=\"card card-warning bordered mb-3\">\n<div class=\"card-header\" style=\"color: #ffffff;\">Acta fabula<\/div>\n<div class=\"card-body\" style=\"color: var(--bs-card-color);\"><\/div>\n<\/div>\n<\/aside>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Arcidosso, Effigi, coll. \u00ab\u00a0La Recherche en Actes\u00a0\u00bb, 1922 EAN : 9788855244695 272 pages Prix : 20 EUR Date de publication :\u00a003 Novembre 2022 \u00a0Voir sur Facebook \u00a0Voir sur Instagram \u00a0Voir sur Twitter Publi\u00e9 le\u00a003 Novembre 2022\u00a0par\u00a0Marc Escola\u00a0(Source :\u00a0Lionel Anth\u00e8me) &nbsp; Table des mati\u00e8res Avant-propos Hassen Bkhairia, Jalel El Gharbi et Francis Lacoste REPR\u00c9SENTATIONS ET ID\u00c9OLOGIE [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20,27],"tags":[85],"class_list":["post-12177","post","type-post","status-publish","format-standard","hentry","category-actus","category-recentes","tag-actualites-pierre-loti"],"_links":{"self":[{"href":"https:\/\/dev.pierreloti.eu\/index.php?rest_route=\/wp\/v2\/posts\/12177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.pierreloti.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.pierreloti.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.pierreloti.eu\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.pierreloti.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12177"}],"version-history":[{"count":2,"href":"https:\/\/dev.pierreloti.eu\/index.php?rest_route=\/wp\/v2\/posts\/12177\/revisions"}],"predecessor-version":[{"id":12182,"href":"https:\/\/dev.pierreloti.eu\/index.php?rest_route=\/wp\/v2\/posts\/12177\/revisions\/12182"}],"wp:attachment":[{"href":"https:\/\/dev.pierreloti.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.pierreloti.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12177"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.pierreloti.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}